I recently
visited Biltmore Estate, the latest host of DOWNTON ABBEY: THE EXHIBITION…called
an “immersive
exhibition that offers a chance to relive the story of the beloved television
series—complete with set recreations, exclusive multimedia elements, and an
up-close look at more than 50 official costumes.”
In the area showcasing the set recreations, in
Biltmore’s new Amherst facility, the
exhibition provides a fascinating look at the post-Edwardian era in which the
popular TV series was set as well as insights into the remarkable events that
shaped the world during this time, such as World War I.
As a social historian, I especially enjoyed this broader look into the era.
Of
course, as a fashion historian, I headed straight to the costume exhibition at a
second location in Biltmore Legacy in Antler Hill Village! A display of more
than 50 costumes from the series’ six-season run, but also for the first time, costumes
from the 2019 Downton Abbey: The Movie were on display—three ensembles worn
by the Royal Family.
It was especially wonderful to see the extraordinary “up
close” details of Princess Mary’s evening gown (on the right in photo below)—perhaps
now my favorite design by costume designer Anna Mary Scott Robbins! (Wish I taken some up close photos!)
However,
it was a bit of a disappointment for me that the labels identifying who wore
each costume and for what occasion did not include more details of its design—or
its designer! (Downton Abbey had four unique costume designers during
the various seasons.) So with that in mind, I’ve shared details below about another favorite
Anna Robbins design from the finale of the series which was featured at the exhibition—Lady
Edith’s wedding gown! (The script is taken from my talk “Vintage Inspiration: The Brides
of Downton Abbey”…enjoy!)
……………………………….
For Lady Edith’s gown for her 1925
New Year’s Eve wedding to Bertie (who went from being his aristocratic cousin’s
land manager to Marquess of Hexham practically overnight), Downton Abbey's season six costume designer, Anna Mary Scott Robbins, created a custom-made gown from lacy
vintage “parts.”
The designer said that Edith's
dress started out as an original Brussels lace dress she found. Then she merged
it with Brussels lace yardage found in vintage fairs with two other pieces that
had a different, more light, gauzier weight to it. These were cleverly used to
create this transparent sheer drop-down to give the dress more length. She created the sleeves and the neck out of another
piece of vintage lace.
Anna wanted the finished dress
to be much more delicate, so they cut away the heavier neckline on the original
dress. And with attention to such detail, she even wanted to create a soft
transition when you see Edith in the dress….“something almost light as
air as it came up on her skin and neck."
……………………………..
Downton
Abbey: The Exhibition
runs through April 7, 2020 at Biltmore Estate…unless 'tis held over like it has been at the other venues during its run!
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