"...thank God, a wedding!"

 The R/evolution Is Love (2011)

It was 2011 and things simply felt different. There was a buoyancy to the world’s energy. Even with disruption and strife, when I really listened in, there seemed a harmony inside it all, as though something else was becoming available, life being retuned. It felt true, like a sacred portal opening.

…………………….

I don’t remember when I first heard of the ancient Mayan calendar with its revelations that move beyond our sense of time, space, and beliefs, but I was intrigued by its historical accuracy. Developed by the highly advanced thinkers of Mexico’s Olmec civilization from the fifth century BCE, the calendar system is a complicated series of inscriptions, codes and glyphs. As Dr. Carl J. Calleman explained, it is a timeline marking the evolution of consciousness, in nine “waves,” from the beginning of time, 16.4 billion years ago, into the future.

The last phase of that future, the “Ninth Wave of Consciousness,” was activated in 2011 according to Dr. Calleman’s calculations. It marked the end of “old time,” signaling the age of new beginnings and based on this ancient almanac of sacred time, we are now living in that long-awaited future. And this “new time” arrived riding on a wave of dynamic energy — boisterous, open-hearted, and centered in unity.

In addition to major Earth events in 2011 (including a catastrophic earthquake and tsunami in Fukushima, Japan), “a massive protest movement began against the ruling order all over the world,” Dr. Calleman wrote, creating a tumultuous push for liberty, self-determination and freedom of expression. “The Arab Spring began with protests erupting over the globe, including the Occupy Movement in the United States and other countries.”

And there was a royal wedding! Or as Allison Pearson wrote in Newsweek that year: “In a world gone to hell, thank God, a wedding!”

Throughout history, royal weddings have often been harbingers of change, seen as a unifying moment of coming together in gratitude and appreciation. But this royal wedding in Great Britain in 2011 marked a break in dutiful tradition with a message for the future: a future king of a thousand-year-old monarchy married for love. Instead of a business arrangement to acquire property, power, and prestige (and historically women were considered part of the property), this marriage was about a man and woman making a choice together — through love.

Even so, in these changing modern times, what was the big deal about a royal wedding in an outdated monarchy? The world was roiled in conflict between those attempting to bring a peaceful message of equality and those committed to a hierarchy of haves and have nots. And because we were all connected through a vast digital hook-up, discontent had a global voice. Therefore, some thought the universal excitement of a royal wedding seemed the year’s biggest anachronism.

Nevertheless, since royalty can be archetypal in nature, affecting change for the masses, the wedding and the relationship that emerged was revolutionary in its own right. As over two billion of us witnessed this grand yet intimate event celebrating the marriage of Prince William and Catherine Middleton, the wedding rite of passage acted as an opening to bring people together, to feel more connected to each other in a divided world.

[...the article continues on Medium]

 

Interweaving...

 

Interweaving a New Future Together

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The weave of unity is infinite, ever flowing & creative. 

-Patricia Albere

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Words related to the ancient art of weaving are often used as metaphors, especially when expressing the deep, intricate nature of life and human awareness. My curiosity was peaked regarding that relationship of words when reading about the history of weaving — and learning that women were the first weavers. “The facts of women’s experience of life are primordial,” poet and author Barbara Mor wrote.

“The first God, Mother Earth, was the sign of a human response to an experienced fact,” Mor explained in The Great Cosmic Mother: Rediscovering the Religion of the Earth. “The first arts and religions, the first crafts and social patterns, were designed in recognition and celebration of her.” From earliest times — giving birth, sustaining life, and nurturing that life — women recognized themselves in Mother Earth. And women told their stories (were women also the first storytellers?) by communicating that innate, fertile connection to life through art — creating clay vessels, weaving fabric, making paint, and painting on rocks and structures around them — linking their experiences to the Divine. And they recognized themselves in Her reflection.  

Barbara Mor shares that “religious rites were combined with industry. Women’s religions were organic, a unity of body and spirit, of daily life tasks and cosmic meaning.” All of life was sacred, interconnected, shared. “The sacred is the emotional force which connects the part to the whole,” philosopher and poet William Irwin Thompson wrote.

 “Cosmic mind and human mind are not essentially different, or separate, nor are cosmic body and human body,” Mor emphasized. “Everything is interconnected in a vast webwork of cosmic being — a universal weaving — in which each individual thing, or life-form, is a kind of energy knot, or interlock, in the overall vibrating pattern.” The intimacy in Barbara Mor’s words here conjures the essence of nature’s magic. I stare into a spider’s web and lose myself in the interrelated universe she has woven, clearly guided by a Divine source. Following their own instinctual nature, did the women who invented spinning and weaving — twisting something raw into filament-like threads, then weaving them into something whole — do the same? Beyond the practical attributes of string and cloth for early humans, was there a desire to express something ‘sensed’ within themselves?

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