Showing posts with label Royal Weddings. Show all posts
Showing posts with label Royal Weddings. Show all posts

March 31, 2025

"...thank God, a wedding!"

 The R/evolution Is Love (2011)

It was 2011 and things simply felt different. There was a buoyancy to the world’s energy. Even with disruption and strife, when I really listened in, there seemed a harmony inside it all, as though something else was becoming available, life being retuned. It felt true, like a sacred portal opening.

…………………….

I don’t remember when I first heard of the ancient Mayan calendar with its revelations that move beyond our sense of time, space, and beliefs, but I was intrigued by its historical accuracy. Developed by the highly advanced thinkers of Mexico’s Olmec civilization from the fifth century BCE, the calendar system is a complicated series of inscriptions, codes and glyphs. As Dr. Carl J. Calleman explained, it is a timeline marking the evolution of consciousness, in nine “waves,” from the beginning of time, 16.4 billion years ago, into the future.

The last phase of that future, the “Ninth Wave of Consciousness,” was activated in 2011 according to Dr. Calleman’s calculations. It marked the end of “old time,” signaling the age of new beginnings and based on this ancient almanac of sacred time, we are now living in that long-awaited future. And this “new time” arrived riding on a wave of dynamic energy — boisterous, open-hearted, and centered in unity.

In addition to major Earth events in 2011 (including a catastrophic earthquake and tsunami in Fukushima, Japan), “a massive protest movement began against the ruling order all over the world,” Dr. Calleman wrote, creating a tumultuous push for liberty, self-determination and freedom of expression. “The Arab Spring began with protests erupting over the globe, including the Occupy Movement in the United States and other countries.”

And there was a royal wedding! Or as Allison Pearson wrote in Newsweek that spring: “In a world gone to hell, thank God, a wedding!”

Throughout history, royal weddings have often been harbingers of change, seen as a unifying moment of coming together in gratitude and appreciation. But this royal wedding in Great Britain in 2011 marked a break in dutiful tradition with a message for the future: a future king of a thousand-year-old monarchy married for love. Instead of a business arrangement to acquire property, power, and prestige (and historically women were considered part of the property), this marriage was about a man and woman making a choice together — through love.

Even so, in these changing modern times, what was the big deal about a royal wedding in an outdated monarchy? The world was roiled in conflict between those attempting to bring a peaceful message of equality and those committed to a hierarchy of haves and have nots. And because we were all connected through a vast digital hook-up, discontent had a global voice. Therefore, some thought the universal excitement of a royal wedding seemed the year’s biggest anachronism.

Nevertheless, since royalty can be archetypal in nature, affecting change for the masses, the wedding and the relationship that emerged was revolutionary in its own right. As over two billion of us witnessed this grand yet intimate event celebrating the marriage of Prince William and Catherine Middleton, the wedding rite of passage acted as an opening to bring people together, to feel more connected to each other in a divided world.


September 20, 2023

A Wedding Classic Revisited

from GETTY IMAGES

“On May 19, 2018, the royal nuptials of the Duke and Duchess of Sussex made history and broke traditions, with the bride Meghan Markle’s wedding dress almost serving as an allegory,” Fawnia Soo Hoo wrote in her recent article, “Meghan Markle’s Wedding Dress Nods to Hollywood and American Royalty,” for Vanity Fair.


I love that this “allegorical wedding, this extraordinary couple, and Meghan’s sensitive and intuitive creativity is being revisited in such a beautiful article. Fawnia chats with the gowns designer, Clare Waight Keller, about its inspiration and her collaboration with the bride, noting other memorable wedding gowns....

“There was that sense of playfulness and modernity and doing things in a different way,” Waight Keller says. “And I really feel that—for the dress, particularly—that sense of it could be something that really represented her, her spirit, her modernity, and the freshness....”

Click on the article here...

from GETTY IMAGES

Also revisit the article I wrote a few days after that memorable wedding in 2018 and posted here: “A Day of Gracious Gestures and Love Power....

The radiant bride, in designer-sculpted shimmering white silk....

from GETTY IMAGES
In addition, Ive written about Harry and Meghans spiritual union in a section of a book I've been working on for many years, using this lovely quote from a friend of the bride: 

Meghan’s friend Vicky Tsai, after attending the wedding ceremony, confirmed: “It felt like a moment where the world paused and celebrated love.”


July 31, 2023

The Princess, The Feminist & The Grown-Up Bride

 

Royal Wedding, 31 July 1981, Lady Diana Spencer and Charles, Prince of Wales

In my book, The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding, I looked at the social and historical influences of the wedding of Lady Diana Spencer and Charles, Prince of Wales, in 1981. The event was a cultural phenomenon. For the first time in history, nearly a billion people came together at the same moment to witness the same marvel, televised in ‘living color’—could such a spectacle not help but shake up our global psyche? We gathered around our clunky television sets as if anticipating some long-ago promise fulfilled.

With its reassuring sense of order and thrilling dose of pageantry—courtly rituals and symbolic pomp, ceremonial uniforms and polished splendor—this royal wedding was like a soothing balm for a society reeling from the rebellious upheavals of the 1960s and ‘70s. The wedding came at the beginning of a decade that saw Reaganomics, Thatcherism, pseudo-Christian politics, and a “greed is good” mentality attempt to put a lid on those earlier outspoken youthful voices, female voices, Black voices railing against a tone-deaf, out-of-touch, vengeful society. These latest patriarchal forces may have quieted those voices of dissent, but the revolutionary spirit remained, laying groundwork for the next uprising of heart energy. 

Weddings, especially royal ones, can indeed be profound bringers of change. Although Charles’ and Diana’s wedding played its part in gilding the last two decades of the twentieth century with a superficial gloss, it had a more enduring role, something of the heart—evident even before the glittering wedding dust had settled. The regal ceremony stirred the wonder of some deeply feminine ethos around the world with its fairy-tale longings and a beautiful, lit-from-within bride…a heart-centered young woman (a future revolutionary) becoming a real princess of a legendary kingdom at a time when a new wave of feminism was rising—which seemed to punctuate its own irony with a mythological purpose. (Was an ancient archetype for a new age rising as well?)

[Continue reading this book-in-progress excerpt on MEDIUM...posted with a rare photo from my former shop.]

February 22, 2023

Made-for-Hollywood Fairy Tale

The wedding gown of famous brides—especially ones about to become a princessoften becomes the centerpiece of the fairy tale remembrance, even more than the wedding ceremony or the couple themselves. It's a memory and an image that we keep returning to...well past any whiff of a once "fairy-tale" romance!

Recently, Vanity Fair magazine returned to the iconic gown of Grace Kelly in Fawnia Soo Hoo's article, "Why Grace Kelly's Wedding Dress Embodies a Made-for-Hollywood Fairy Tale."

With sublimely intricate details, like seed pearls accenting needle lace motifs and a pleated silk faille cummerbund atop the skirting, Grace Kelly’s wedding-dress style continues to be interpreted—even by royals and celebrities—over six decades later. “The reason Princess Grace’s wedding gown still resonates today with so many brides has at least as much to do with who wore it, as the dress itself. The design is lovely and timeless, but the way the dress sits at an intersection of Hollywood and royalty makes it particularly evocative and very much an aspirational fantasy piece for many brides,” says Lorenzo Marquez, author, podcaster, and cofounder of fashion and culture website, Tom + Lorenzo.

 “Kate Middleton was particularly smart to evoke the dress without copying it, underlining her own status as a commoner marrying a prince, but also avoiding any comparisons to previous brides in the British royal family,” Marquez added. 


A lovely book by my costume-history colleague, Kristina Haugland of the Philadelphia Museum of Art, Grace Kelly: Icon of Style to Royal Bride, shares the story behind the creation and sentiment of the gown and its accessories...which were all given to the museum by the new princess soon after her wedding. The gown was last on display in 2006.

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March 9, 2021

{Princess Mission} Book Excerpt


In this remarkable time of feminine wisdom rising, here's an excerpt from my long-in-the-works upcoming book, The Spiritual Mission of a Princess.  Like the excerpt below, each chapter begins with something from the life of Diana, Princess of Wales—a young woman of highly-developed heart energy who intrigues us stillthen intertwines that legacy, seen through a more archetypal lens, with the story of all women.

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[EXCERPT]
CHAPTER ONE: PRINCESS MISSION

  Unwittingly, the Princess had established for herself a persona that would, in time, be a phenomenon.
-Andrew Morton, Diana: Her Own Story 

L
ady Diana Spencer’s glorious emergence from the horse-drawn glass carriage on her wedding morning in the summer of 1981 set in motion mythological musings: a fairy-tale bride…a heavenly vision…the return of the goddess—“like seeing a butterfly emerge from its chrysalis,” reminisced her Victorian-inspired fairy-gown designers. Standing in hand-crafted satin slippers and crowned with old family diamonds, Diana was dressed in yards and yards of England’s own custom-dyed ivory silk taffeta, lace and tulle—voluminous and fragile—“her gown unfolding perfectly like a paper flower,” observed historian Hilary Mantel. This was beyond any superficial longing of “princess dreams”—although dreams of being a princess certainly fueled our imaginations. Diana’s appeal went deeper than our fascination with feminine beauty, or brides and weddings, or royalty and pageantry, or mysterious ancient rituals. For many watching the brilliant wedding pomp that day, the experience stirred something deep within. Historically, the vision of a bride often brings a sense of hope and renewal, but for a culture in turmoil, here was a spark that relit what once thought lost. There seemed a light about this young bride. Even if we were unaware of being affected, legends were brewing. 

Or did the anti-monarchists and second-wave feminists and other skeptics—not taken in by romance or grandeur or even possible divine intervention—have it right? This was simply another wan young woman, “shrouded” beyond recognition, “tumbling from her coach like a bride in a bag,” critiqued Mantel. From feminist writer Beatrix Campbell: “Her ivory silk wedding dress was a shroud…a crinoline, a meringue…a symbol of sexuality and grandiosity….” Diana was being led to an altar “propping up the aged patriarch who had got her into all of this” to stand with a man much beyond her years and experience who represented an outdated institution where young women disappeared into desperate disappointment. “Neither her father nor her mother had taken care of her, enlightened her or warned her. They married her off to someone else’s prince,” Campbell added. Professor Colleen Denney opens her study of how artists portrayed the princess “with the consideration that feminism and femininity collided in 1981 when Diana married.” 

Clearly there were divergent worlds colliding that day—the outdated and the shift of the ages. After all, here we were under the influence of prophetic celestial changes, long mapped out by wise ancients foretelling the end of “old time” and the beginning of a new era. As the Earth was doing what it naturally, miraculously does—tilt perfectly with an elegant wobble, and spin from equinox to equinox—its slow rotation was in the complicated process of completing two decisive cycles, thousands of years in the making, shifting energies and filling hearts above and below. Some called this swirling cosmic marvel the effects of the Age of Aquarius dawning—feminine vibrations of the Age of the Goddess that would awaken our spirit; others reverently proclaimed the “Age of Holy Breath” ushering in a time of enlightenment and expanding consciousness. Whether it was such heavenly wonders at work that day on this full-of-legends Emerald Isle, or simply the dynamic effect of two royal archetypes chosen to fulfill their soul’s mission and now moving through their predestined paces…you could not escape the sense that there was something mystical afoot. 

If this was truly an era coming to an end—with things tired and harsh falling away, things fresh and heart-tempered beginning—then how perfect that it was a wedding to send up the momentous flare seen round the world, beckoning our heart’s attention. Now under the direction of a new pole star in the Aquarian constellation, we hoped that love would, indeed, “steer the stars and peace would guide the planets” as we all embarked on this auspicious yet tumultuous journey. 

Did this young woman—who became a princess on her wedding day and after a long, winding road, the ‘queen of hearts’ upon her death—ignite a pathway for a consciousness shift of the heart? Was this a signal for the return of a nurturing goddess spirit intended to nudge along the occurring paradigm shift where we see a flowering of feminine strength and influence? During a life fluctuating between tedious soap opera and compassionate healing, how could we imagine then that Diana would be showing a way to, in the words of spiritual thinker Xavier Le Pinon, “educate the heart” on how to be tender, open, and immaculately loving? In all the pomp and glamour and personal drama, it was easy to overlook her spiritual mission. 

However, for some with eyes to see, there were clues in this enchantment on that summer-lit wedding morning on the red-carpeted steps of St. Paul’s Cathedral. There was an exquisite bridal moment captured in a memorable and intimate zoom-lens photograph, where Diana—veiled in what seemed to be the ancient mystery of womanhood—paused to look back before entering the cathedral. Possibly a moment’s hesitation before stepping toward her entrusted destiny? Perhaps it was simply to check the fluffing of her impossibly long train, stretching down the staircase. But then you see her eyes, piercing through the veil as if with an inner knowing, glancing toward some distant yet remembered past encouraging her forward. Was Diana standing in for all future brides at a time when they, too, pause at their nuptial doorway to embody, no longer a woman’s loss of autonomy and self-expression—as was the old custom of the patriarchy—but the female essence and empowering qualities of beauty, openness, strength, forgiveness, love, and the desire for true partnership? ~

November 29, 2020

{The Crown and "That" Dress}

Diana on the left; Emma Corrin in "The Crown" on the right
For me, the brightest star of The Crown television series on Netflix is its head costume designer, Amy Roberts. I've written for years, including in The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding, about the design of Diana Spencer's wedding gown, so I appreciate Amy's story of re-creating the legendary gown that appeared "on screen" for only a few poignant moments.

Emma Corrin in "The Crown," left; Princess Diana, right
When The Crown first announced "that gown" would be part of its Season Four storyline, their Twitter account posted: "Emmy award-winning costume designer Amy Roberts wanted to capture the same spirit and style of David & Elizabeth Emanuel’s original design, without creating a replica for Emma Corrin."

Emma Corrin on "The Crown"

Here is what journalist Lela London wrote in Forbes:

The second Diana took her vows in a gown with a 25-foot train, it became one of the most iconic wedding dresses in history.

The silk taffeta gown was hand-crafted by David and Elizabeth Emanuel at the time, and The Crown’s costume department consulted with the Emanuels to ensure the replica dress—worn for just a few seconds in the series—was as similar as possible. The original designers even gave them its patterns.

"We were filming the scene when you first see her in the wedding dress—I think it was Lancaster House in London—and I had a team of about ten people helping me put it on, because it's massive," Corrin told British Vogue.

"I walked out and everyone went completely silent. More than anything else I wear in the series, it’s so…it’s her."

Emma Corrin on "The Crown"
Vogue shared a background story of creating the real gown by David and Elizabeth Emanuel. And read more details and entertaining anecdotes in my book The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding.
 

May 19, 2019

{A Gracious Year of Kindness}


In honor of the first wedding anniversary of Prince Harry and  Meghan Markle (and their spiritual partnership shared with the world), I'm reconnecting you to the article I wrote following their inspired ceremony last spring..."A Day of Gracious Gestures and Love Power"...enjoy.

Also, a link to the "Sussex Royal" Instagram account where the couple shared never-released photos from the May 19th wedding! xoxo



April 29, 2019

{Happy Anniversary...with Love}


In honor of Prince William and Duchess Catherine's wedding anniversary—they married eight years ago today—Vogue is highlighting “A Look Back at Prince William and Kate Middleton’s Royal Romance”….enjoy their story and slideshow!



December 10, 2018

{Diana As Messenger} Book-in-Progress Excerpt {2}


In my last book, The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding, I looked at the glittering cultural influences of Diana and Prince Charles’ wedding in 1981. With the reassuring order of its grand rituals and symbolic pomp, the wedding captured the attention of a society in chaos reeling from the rebellious cultural upheavals of the 1960s and ‘70s. Then with its fairy-tale longings and a beautiful bride with a light about her—a young woman who became a real princess of a legendary kingdom—the wedding also captured the wonder of some deeply feminine ethos around the world. It was certainly the catalyst of a life-changing occurrence in my life. On the shimmering wave between the two Windsor weddings that decade, I designed a shop for the emerging “modern woman”—a woman more educated, independent and sexually experienced than her mother’s generation—who was now considering marriage enfolded in the wedding pageantry of another time and place. And together, along with an atelier full of talented women designers, we navigated the changing sensibilities of being feminine, womanly, confident and autonomous.

After Diana’s wedding, however, her soap-opera life held little interest for me except for her moments of open-hearted instincts, reaching out to the ‘forbidden’ sick, touching the untouchables, when her light was unmistakable. Then at summer’s end in 1997 with news of her death, that global surge of disbelief and grief reached the serenity of my Atlanta courtyard on a still Sunday morning. Deeper than simply emotional, it was more like being forcefully struck, breaking some vital connection. On some cosmic level, it was the break needed energetically for such an expansive awakening. (Is this the phenomenon that happens to us at the death of a person whose aura and larger-than-life images are all we know?) “Whom the gods love, die young,” Lord Bryan wrote.

Consequently, in the days to follow that jolting headline was when I became truly intrigued by Diana. “For many people…Princess Diana has become far more interesting since her death than ever she was during her life,” shared English writer and Jungian analyst Warren Colman. That’s when I began to look beyond appearances to the person “who could inspire such an enormous response in so many people”—the real person distinct from the image. Even though I felt it was that “real person” I’d caught sight of years before as a floating-on-light, goddess-reminiscent bride. ~

[Excerpt from the Introduction, "Diana As Messenger," of my book-in-progress, tentatively titled, A Memory of Beauty: The Spiritual Mission of a Princess...more excerpts to come.]

November 9, 2018

{On Display}

Now on exhibition until 6 January 2019
Windsor Castle


Enjoy my series "Why Royal Weddings Matter" 
on Confluence Daily

October 12, 2018

{The Real Fairy Tale}


My article, "The Real Fairy Tale," is in the latest issue of Season Magazine... ...reprinted below! (It is also part of my Why Royal Weddings Matter series for Confluence Daily, online magazine for women.)
THE REAL FAIRY TALE

With splendid pageantry and elegant costumes, royal weddings bring up “fairy-tale” dreams of love and romance. “Fairy,” an English word, comes from the French fée, which came from the Latin fatare, “to enchant.” No wonder royal weddings and “enchantment” go hand-in-hand—especially when there is an engaging tug-of-the-heart story with the charms of Prince Harry and Meghan Markle.

Following in his brother Prince William’s footsteps, Harry not only married the woman he loves, but his spiritual partner as well. Only a generation before—in the arranged marriage code-of-conduct royal world—such a “love first, duty second, woman with a past” arrangement for any heir to the British throne would have been, if not impossible, certainly one with consequences.
William and Harry’s parents’ wedding in 1981 stirred the hope of “fairy tale” and yet, as Diana and Charles’ marriage played out, any notion of “happily ever after” soon vanished. Theirs was an arranged marriage that pretended it was not. Although times were changing when they married, the social culture had not shifted enough to allow Prince Charles to follow his true feelings. Perhaps even more consequential, the Windsor family was shadowed by kinsman King Edward VIII who in 1936, with some political pressures, gave up the throne “for the woman he loved.” The scandal was a little too close in historical proximity for Charles to make a similar decision about marrying someone for love who didn’t fit the “queenly model.”
Nonetheless, almost seven decades after King Edward’s abdication, cultural changes were on Prince Charles’ side—thanks in great part, ironically, to his late wife insisting on bringing more heart into the royal family. In 2005, 24 years after his marriage of “dynastic duty” to Diana, Charles did not have to give up the throne nor start a palace revolt, yet, with his queen’s blessing, he indeed married the woman who had been his longtime friend and confidante—the woman he had long loved.

In this more modern and egalitarian grand gesture, Charles and Camilla’s marriage put the seal on “love over duty,” supporting Edward’s heartful claim that “he could be a better king with the woman he loved at his side.” With such a legacy, when it was time for Charles’ sons to marry, they fell in love with women who matched their vision and compassion—beautiful “commoners” with “backgrounds” no less!
So call royal weddings “fairy tales” if you must, but the conscious connection that Princes William and Harry made in their marriages is simply what I call the way life is meant to be when heads are clear and hearts are strong. Whether king or prince or commoner, “what your heart thinks is great, is great,” poet Ralph Waldo Emerson wrote. “The soul’s emphasis is always right.” ~ 


September 5, 2018

{Exhibition at Windsor Castle}

Exhibition
A Royal Wedding: The Duke and Duchess of Sussex
26 October 2018 - 6 January 2019

Queen Mary's circa 1932 diamond and platinum bandeau-style tiara
Silk gown designed by Clare Waight Keller for Givenchy
Sixteen-foot veil embroidered with the flora of 53 Commonwealth Countries 
Prince Harry's Blues and Royals Uniform
made by Savile Row tailors Dege & Skinner
(Since the Prince still needs to wear the uniform for official functions, 

an identical uniform made years earlier will be on display.)

August 16, 2018

{The New Royal Marriage}


My article, and book excerpt, "The New Royal Marriage," was recently published on Confluence Daily....and I'm sharing it below with some yummy images! Enjoy....

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THE NEW ROYAL MARRIAGE


A few years after the grand and ritual-rich wedding of Prince Charles and Lady Diana Spencer in 1981—a time when the interplay of relationships, including the roles of men and women, were changing—spiritual teacher Gary Zukav released his groundbreaking book, The Seat of the Soul. He wrote about the end of the old marriage archetype (what he considered a “five-sensory” relationship focusing on the body and personality) and the emergence of “spiritual partnerships”—more consciously aware, “multisensory” ways of being in relationship.
   
Prince Charles was the last heir to the British throne to marry for dynastic duty first (and who was raised in that hands-off, secluded, in-training-for-the-crown severity); his sons were the first heirs to grow up with access to the openness of modern culture and with fewer restraints of the monarchy (thanks to insights of both parents.) This meant Prince William and Prince Harry could participate in a less-structured environment—but still be aware of their duty and place in the world—and be free to develop a loving, deep friendship with the woman they would marry.

Looking back, perhaps it was predestined for Charles and Diana’s spot-lit, world-stage relationship—fraught with jealousy, deception, and lack of mutual support—demonstrate an outdated model for marriage. Not finding the desired harmony in their own relationship, yet as destiny would have it, they produced two sons (one a would-be-king, one a prince of deep passion, both imbued with characteristics of each parent) who, as young men, apparently did.

We saw this deep connection during their weddings. I wrote the following about Prince William and Kate Middleton’s 2011 wedding in The End of the Fairy-Tale Bride, but it could also apply to the ceremony and lives of Prince Harry and Meghan Markle a few years later:
Like the best of weddings, William and Kate’s botanically inspired celebration had a sense of reconciliation and healing within relationships, families, communities, even religions. This is what I see their life mission will be about. And this nuptial day, therefore, was a blessing, a redemption for both Diana and Charles. “It was Diana who wired William with some innate radar to look for a soulmate who had a strong family bond,” wrote journalist and author Tina Brown. “She never had it with her own family, nor did Prince Charles,” but their first son has it and embraced it and included all of his families—Spencers, Windsors and Middletons—at the heart of his wedding day. And his Kate matched every royal moment with equal poise and tenderness, inspiring Brown to share about the bride’s choices: “Everything about her actions, to and for William, is about creating a feeling of safe continuity: You know me. I am here.”
Seven years later, as I watched Prince Harry and Meghan Markle’s sun-lit springtime wedding, it seemed that we all were witnessing not just a break in tradition, but something so transformative it was as though being baptized in pure light and redemptive love—being initiated into the most sacred depths of oneness. “It felt like another level of everything,” Oprah Winfrey, who had an up-close seat at the wedding ceremony, shared. “It felt like more than a wedding. It felt like a shift in culture. I left more hopeful,” she concluded.

Are these two royal couples representatives of a “new marriage”—a “spiritual partnership,” as Zukav imagined? Or perhaps it’s simply a return to the original purpose of marriage where the cultivation of a deeply connected, equal partnership is a natural way of relating for couples. William and Kate nor Harry and Meghan asked for their marriage to be a template, however, royalty is one of our most reflective archetypes so it’s just in the stars for them to take on a world stage life. Not right or wrong or perfect; not forever or even “happily ever after,” and certainly not a “traditional” marriage. (Is there really any such thing?) 
Nonetheless, these two relationships act as a mirror, so we can see ourselves just a bit clearer in one of the most problematic areas of life for people. “It would be difficult to find a human relationship that embodies a greater complexity than marriage—with its blend of the civil, social, spiritual, and physical,” wrote cultural mythologist Jane L. Mickelson. Our culture is filled with the shadow side of marriage. “For every folk and fairy tale that concludes, ‘and they lived happily ever after,’” Mickelson continued, “there is another that speaks of the betrayal and bitterness, the hostility and disappointment of marriage.” William and Harry knew this all too painfully well because of their parents’ mismatched marriage as did their mother because of her parents’ damaged union. (I called these marriages representatives of the end of the illusion—“the end of the fairy-tale bride.”)

In the aftermath of Charles and Diana’s shattered marriage, a very public royal divorce, and—as though following some Jungian script—the death of the much-loved princess, Dr. Caroline Myss, mystic and best-selling author, considered the outdated “damsel and knight” fairy story could finally be laid to rest. Echoing Gary Zukav’s vision for marriage, Myss wrote that we now begin “to uncover a new archetype—one that reflects the emerging era of partnership.”

Was this to be a new mythology for marriage where couples serve the highest good for each other? “This is how spiritual partnerships work,” Zukav explained. “You begin to set aside the wants of your personality in order to accommodate the needs of your partner’s spiritual growth, and in doing that, you grow yourself.” In this relational reframing, women and men are not substituting romance for intimacy; not settling for the illusion of love instead of the real thing; not relying on the other for their own happiness and fulfillment; nor are they denying the best of themselves so they can have some false sense of security and comfort.

The Duke and Duchess of Cambridge and the Duke and Duchess of Sussex may have royal titles, but it appears that their marriages—their love and relationships and deep commitment to their partners—are real and sincerely grounded, aligning with their modern, yet old soul sensibilities. Both Kate and Meghan have “brought a kind of grace under pressure to the royal family,” their husbands’ family, and I would suspect that sense of being comfortable-in-their-own-skin reinforces a closeness with their husbands.

It was Princess Diana’s tenacity and spirit that carved out a way for William to be king and have a marriage based on love and equality; and, in her demonstrative acts of unconditional love, gave Harry, younger at her death and maybe more vulnerable, the resilience to mend his broken heart and find a strong partner who matches his devotion and compassion. And Prince Charles played his part as he tenderly protected and guided his sons after Diana’s death; then, years later, boldly challenged the old monarchic code and, with William and Harry’s full-hearted support, married the woman he had long loved.

Perhaps we are drawn to these young Windsor couples because they remind us of the true nature of what “happily ever after” is to be—living a life you love, in service and in kindness to others. And perhaps our attraction to them is how their lives show us, in the words of beloved Sufi teacher Hazrat Inayat Khan, that, whether you are royal or just regular folk, “to discover the heart is the greatest initiation.” ~ 

[Excerpts from Cornelia’s The End of the Fairy-Tale Bride, available at Amazon, as well as excerpts from her book in progress, tentatively titled, A Memory of Beauty: The Spiritual Mission of a Princess.]