Showing posts with label Marriage. Show all posts
Showing posts with label Marriage. Show all posts

January 1, 2024

Marriage and the 'Prospect of Happiness'

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"The Unequal Marriage" by Vasili V. Pukirev, 1862

Historically, given the patriarchal nature of most world cultures, the happy expectations that many brides may have imagined at their wedding fell far short during their marriage—disappointment often began before the honeymoon phase, if there was such a thing. To cope with the lack of attention or even abuse by their husbands, women around the globe had limited choices—especially since ill-treatment of wives was often sanctioned by their religions and governments. “A bride,” nineteenth-century journalist Ambrose Bierce said, “is a woman with a fine prospect of happiness behind her.” Indeed, for eons, a married woman’s “prospect of happiness” was a dilemma.

In the middle of nineteenth-century England “marriage was the subject of much contemporary debate,” wrote best-selling author Kate Summerscale. Divorce laws were being investigated and reformists were “campaigning to improve the lot for married women.” One such reformist, novelist and poet Caroline Norton, even wrote to Queen Victoria—a happily married woman and mother—about the “injustices of wedlock,” as shared by Summerscale:

 “A married woman in England has no legal existence...her being is absorbed in that of her husband.” A wife could not undertake legal proceedings, or keep her own earnings, or spend eons own money as she wished. She “has no legal right even to her clothes or ornaments; her husband may take them and sell them if he pleases.” A wife’s identity was subsumed in that of her husband....

And Caroline Norton should know. “When she left her unfaithful, bullying, profligate husband in 1836,” wrote Summerscale, “he had kept her children from her and had confiscated the money that she earned through her writing.”

[Continue reading this short chapter excerpt on Medium...enjoy!]


August 16, 2018

{The New Royal Marriage}


My article, and book excerpt, "The New Royal Marriage," was recently published on Confluence Daily....and I'm sharing it below with some yummy images! Enjoy....

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THE NEW ROYAL MARRIAGE


A few years after the grand and ritual-rich wedding of Prince Charles and Lady Diana Spencer in 1981—a time when the interplay of relationships, including the roles of men and women, were changing—spiritual teacher Gary Zukav released his groundbreaking book, The Seat of the Soul. He wrote about the end of the old marriage archetype (what he considered a “five-sensory” relationship focusing on the body and personality) and the emergence of “spiritual partnerships”—more consciously aware, “multisensory” ways of being in relationship.
   
Prince Charles was the last heir to the British throne to marry for dynastic duty first (and who was raised in that hands-off, secluded, in-training-for-the-crown severity); his sons were the first heirs to grow up with access to the openness of modern culture and with fewer restraints of the monarchy (thanks to insights of both parents.) This meant Prince William and Prince Harry could participate in a less-structured environment—but still be aware of their duty and place in the world—and be free to develop a loving, deep friendship with the woman they would marry.

Looking back, perhaps it was predestined for Charles and Diana’s spot-lit, world-stage relationship—fraught with jealousy, deception, and lack of mutual support—demonstrate an outdated model for marriage. Not finding the desired harmony in their own relationship, yet as destiny would have it, they produced two sons (one a would-be-king, one a prince of deep passion, both imbued with characteristics of each parent) who, as young men, apparently did.

We saw this deep connection during their weddings. I wrote the following about Prince William and Kate Middleton’s 2011 wedding in The End of the Fairy-Tale Bride, but it could also apply to the ceremony and lives of Prince Harry and Meghan Markle a few years later:
Like the best of weddings, William and Kate’s botanically inspired celebration had a sense of reconciliation and healing within relationships, families, communities, even religions. This is what I see their life mission will be about. And this nuptial day, therefore, was a blessing, a redemption for both Diana and Charles. “It was Diana who wired William with some innate radar to look for a soulmate who had a strong family bond,” wrote journalist and author Tina Brown. “She never had it with her own family, nor did Prince Charles,” but their first son has it and embraced it and included all of his families—Spencers, Windsors and Middletons—at the heart of his wedding day. And his Kate matched every royal moment with equal poise and tenderness, inspiring Brown to share about the bride’s choices: “Everything about her actions, to and for William, is about creating a feeling of safe continuity: You know me. I am here.”
Seven years later, as I watched Prince Harry and Meghan Markle’s sun-lit springtime wedding, it seemed that we all were witnessing not just a break in tradition, but something so transformative it was as though being baptized in pure light and redemptive love—being initiated into the most sacred depths of oneness. “It felt like another level of everything,” Oprah Winfrey, who had an up-close seat at the wedding ceremony, shared. “It felt like more than a wedding. It felt like a shift in culture. I left more hopeful,” she concluded.

Are these two royal couples representatives of a “new marriage”—a “spiritual partnership,” as Zukav imagined? Or perhaps it’s simply a return to the original purpose of marriage where the cultivation of a deeply connected, equal partnership is a natural way of relating for couples. William and Kate nor Harry and Meghan asked for their marriage to be a template, however, royalty is one of our most reflective archetypes so it’s just in the stars for them to take on a world stage life. Not right or wrong or perfect; not forever or even “happily ever after,” and certainly not a “traditional” marriage. (Is there really any such thing?) 
Nonetheless, these two relationships act as a mirror, so we can see ourselves just a bit clearer in one of the most problematic areas of life for people. “It would be difficult to find a human relationship that embodies a greater complexity than marriage—with its blend of the civil, social, spiritual, and physical,” wrote cultural mythologist Jane L. Mickelson. Our culture is filled with the shadow side of marriage. “For every folk and fairy tale that concludes, ‘and they lived happily ever after,’” Mickelson continued, “there is another that speaks of the betrayal and bitterness, the hostility and disappointment of marriage.” William and Harry knew this all too painfully well because of their parents’ mismatched marriage as did their mother because of her parents’ damaged union. (I called these marriages representatives of the end of the illusion—“the end of the fairy-tale bride.”)

In the aftermath of Charles and Diana’s shattered marriage, a very public royal divorce, and—as though following some Jungian script—the death of the much-loved princess, Dr. Caroline Myss, mystic and best-selling author, considered the outdated “damsel and knight” fairy story could finally be laid to rest. Echoing Gary Zukav’s vision for marriage, Myss wrote that we now begin “to uncover a new archetype—one that reflects the emerging era of partnership.”

Was this to be a new mythology for marriage where couples serve the highest good for each other? “This is how spiritual partnerships work,” Zukav explained. “You begin to set aside the wants of your personality in order to accommodate the needs of your partner’s spiritual growth, and in doing that, you grow yourself.” In this relational reframing, women and men are not substituting romance for intimacy; not settling for the illusion of love instead of the real thing; not relying on the other for their own happiness and fulfillment; nor are they denying the best of themselves so they can have some false sense of security and comfort.

The Duke and Duchess of Cambridge and the Duke and Duchess of Sussex may have royal titles, but it appears that their marriages—their love and relationships and deep commitment to their partners—are real and sincerely grounded, aligning with their modern, yet old soul sensibilities. Both Kate and Meghan have “brought a kind of grace under pressure to the royal family,” their husbands’ family, and I would suspect that sense of being comfortable-in-their-own-skin reinforces a closeness with their husbands.

It was Princess Diana’s tenacity and spirit that carved out a way for William to be king and have a marriage based on love and equality; and, in her demonstrative acts of unconditional love, gave Harry, younger at her death and maybe more vulnerable, the resilience to mend his broken heart and find a strong partner who matches his devotion and compassion. And Prince Charles played his part as he tenderly protected and guided his sons after Diana’s death; then, years later, boldly challenged the old monarchic code and, with William and Harry’s full-hearted support, married the woman he had long loved.

Perhaps we are drawn to these young Windsor couples because they remind us of the true nature of what “happily ever after” is to be—living a life you love, in service and in kindness to others. And perhaps our attraction to them is how their lives show us, in the words of beloved Sufi teacher Hazrat Inayat Khan, that, whether you are royal or just regular folk, “to discover the heart is the greatest initiation.” ~ 

[Excerpts from Cornelia’s The End of the Fairy-Tale Bride, available at Amazon, as well as excerpts from her book in progress, tentatively titled, A Memory of Beauty: The Spiritual Mission of a Princess.]



October 22, 2016

{Victoria's Choice Redux}

Hello! I thought youd enjoy a reprint of my article, “Victorias Choice”....its been published in Season Magazine and on Huffington Post. (Plus its an excerpt from my latest book The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding.)

VICTORIA'S CHOICE
If you know one thing about wedding gown history, I would wager that it has something to do with Queen Victoria beginning the fashion for brides wearing white. (And now, thanks to her, it has been a tradition of sorts for 175 years.) But I would also wager that most people don’t know the real reason the 20-year-old monarch broke the precedent set by earlier royal brides—“dressed in their usual cloths of silver or gold”—and chose the color white for her wedding gown. Victoria even chose a crown of fanciful, yet wax orange blossoms instead of one of her dazzling diamond diadems!

Her choices have been regarded as representing simplicity, modesty and purity—and indeed the young queen was sentimental with an “uncluttered fashion preference,” according to costume historian Kay Staniland. However, Victoria was deeply in love, and this became her guiding inspiration for her wedding attire. Therefore, with much consideration—taking into account her duty, her position and her subjects—“the queen decided to make her marriage vows to her ‘precious Angel’ as his future wife rather than as the monarch,” wrote V & A museum curator Edwina Ehrman. So Victoria not only opted against wearing the ornate silver and gold of royalty, but also her regal “crimson velvet robe of state” feeling “it would only emphasize her seniority, and overshadow the role of her future husband,” Staniland added.

Victoria’s all-white bridal costume may have been without the usual glittering royal accoutrements, but it “was actually exquisite and of great value,” explained Maria McBride-Mellinger, author of The Wedding Dress. Underscoring “patriotic spending,” the queen commissioned her country’s renowned textile artisans. The rich silk satin for the gown and its 18-foot court train was woven in Spitalfields and the beautiful, lyrically-patterned lace for her veil and gown embellishments was hand made by two hundred women in a Devon village employed for eight months. The only color Victoria wore was near her heart: a large, brilliant blue sapphire brooch which had been Prince Albert’s wedding gift to her.

On the day of the wedding, Victoria’s adoring subjects happily received their queen’s choices, cheering her carriage on its way to the Chapel Royal at St. James’s Palace. Dressed in these creamy shades of white and tufts of orange blossom, I doubt that Victoria had a sense of the remarkably romantic lineage she was about to inaugurate. Nor could she ever know that her queenly exemplar: “Keep your relationship top priority,” would make fine advice for today’s busy wedding-planning brides. 

It seems for this young bride (who just happened to be ruler of an empire), that it came down to choosing the feelings of her future husband over her own ego. Victoria’s heart-centered choice changed bridal history and, in turn, illuminated the supreme sovereignty of a woman in love. ~


[Enjoy your own copy of The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding....easy to order from Amazon with a speedy delivery!] 

December 10, 2015

{Heart Words}


Dear Bride-to-Be
With our “gratitude” theme from last month, I was reminded of another excerpt from my new book, The End of the Fairy-Tale Bride. I love how this little story expresses the importance of sharing from your heart…no matter how busy or tired or preoccupied you might be. The setting here is following a most momentous wedding in 1947:



...then there are always some “heart words” sitting there, waiting to be said or put into a letter, no matter the circumstances, even for a busy and tired king. Following a grand November wedding; after waving to cheering crowds from the central balcony of Buckingham Palace; after a wedding meal “including twelve wedding cakes, the main one nine feet high” where five kings, eight queens, eight princes and ten princesses were present; after the newlyweds, the new Duke and Duchess of Edinburgh, left for their honeymoon in an open carriage; later that evening, as historian Dulcie Ashdown shared, “King George VI sat down to write to his daughter.”

I was so proud of you and thrilled at having you close to me on our long walk in Westminster Abbey, but when I handed your hand to the Archbishop, I felt I had lost something very precious. You were so calm and composed during the Service and said your words with such conviction that I knew everything was alright.

This letter may have been written by a king to his daughter on her wedding day (a princess who only four years later would take her father’s place on the throne, becoming Queen Elizabeth II, and who has now surpassed her great-great grandmother in longevity of service as British monarch), but at its heart, the letter’s loving sentiment is a message that any daughter would be pleased to hear from her father or mother on any given day.



On this day, at this moment, share from your heart. We all need some “heart words” about now!

Love. Listen. Let go.
…with love from Cornelia


[Enjoy your own copy of The End of the Fairy-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding....easy to order from Amazon with a speedy delivery!] 

[Images above from Queen Elizabeths wedding day.]

July 29, 2015

{Bring Intimacy Back to Weddings}


Dear Bride-to-Be
“Weddings are increasingly notable for their amazing lack of intimacy, their evolution into industry,” commentator Jacki Lyden wrote in a report for NPR several years ago. And in our overly-commercialized, up-noised, garish culture, I share this idea over and over in an attempt to urge couples to “look inside” and follow their hearts first when planning their wedding.

In my book for same-sex couples (The Handkerchief Has Been Thrown!—just re-published in print form), I remind the reader of this dilemma. Suggesting ways to return intimacy to the wedding celebration, I encourage gay and lesbian couples to not just follow the fashion of “traditional” weddings, but to set a new standard inspiring all ceremonies to be more real and from the heart.

Unfortunately, Bridal Expos—those big gatherings that bring wedding vendors together with potential brides, grooms and assorted entourages—tend to boost the commercial, big-sexy-party aspect of modern weddings. (I was invited to have a book signing at a first-of-its-kind Same-Sex Wedding Expo recently. Aaaargh!! The epitome of “lack of intimacy.” Please guys, you can do better!)

Whether you’re marrying a man or a woman; whether your wedding is teensy-tiny or ballroom huge; whether you’re on a mountaintop or in a grand cathedral, you may want to hear what journalist S. Bryan Lowder has to say:  “I’m a gay man who wants to get married. But how do I have a wedding that’s not so … straight?” In other words, you don’t have to copy-cat the matchy-matchy, ho-hum aesthetic of many mainstream weddings—trends that have squeezed all the depth and intimacy out of the ceremony and celebratory festivities.

So, planning a wedding? Just don’t forget to bring your good taste, good sense, and especially your good heart along with you!

Love. Listen. Let go.
…with love from Cornelia

[Couples photograph: Courtesy of Martha Stewart Weddings]

The Handkerchief Has Been Thrown! 
Something Old & Something New for Same-Sex Couples 
is available on Amazon.

November 14, 2014

{The Joy of White}


Dear Bride-to-Be
Are you wearing white for your wedding?  Volumes have been written about the mystery and allure of the white wedding dress—as well as the symbolic notions of its pure color. Ancient Egyptians, considering the color sacred, draped their brides in gossamer layers of accordion-pleated white linen. The ancient Greeks and Romans, with their ever-present gods and goddesses, assigned symbolic meaning to everything; the color white represented “joy” and was worn for most festive occasions, including weddings.

Through the centuries various colors went in and out of fashion for brides—in fact, I tell many of their stories in my upcoming book. But a number of European princesses from wealthy kingdoms felt it their right to dress as opulently as possible so were costumed in gold and silver fabrics—sometimes encrusted with diamonds and other precious gemstones

So of course in 1840 when the young Queen Victoria wore “plain” white satin and lace instead of the glittering lavishness of her predecessors, she set a new standard—and the rest is bridal history! (In contrast her gown perhaps seemed “simple,” but both the silk satin and lace were lush, exquisitely handmade, and of great value.)

I’d love to venture inside the head of this much-in-love, girl-of-a-queen bride to know if her desire for an all-white wedding was truly from an idea of “purity” and humbleness or just her uncluttered fashion sense. Or perhaps there was some essence of mythological romance that captured the heart of a young woman deeply in love. Indeed, the only color Victoria wore was near her heart: the large blue sapphire brooch her beloved Albert gave her as wedding present.

Love. Listen. Let go.
…with love from Cornelia


ps: I’ll keep you posted about the release of my new book, The End of the Fairy-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding

September 10, 2014

{Be Exquisitely Self-Expressed}


Dear Bride-to-Be:
There's no such thing as too many musings about beautiful vintage handkerchiefs! So here's a "ps" to a recent post about my love for hankies....

I met Cynthia Brumback, author of the wondrous new book The Art of the Monogram, at a book signing in Cashiers, North Carolina last month. Of course there's more to monograms than just using on handkerchiefs and Cynthia's book covers it all exquisitely: from sterling silver and home linens to royal jewels and silk lingerie; from their etched historical beginnings to today's high-fashion runways; from grand display to intimately personal. (This book should be on your most wished-for "gift list.")

Planning a wedding, being a bride, beginning a marriage are all compelling rites-of-passage and I can't think of anything that marks their passage more memorably than to have some sort of beautifully scripted monogram to commemorate the occasion. Whether it's a vintage linen handkerchief embroidered with your initial to carry on your wedding day; or for your reception, a pair of old silver toasting goblets engraved with your new monogram, perfect for holding hand-picked wildflowers later by your bedside; or a custom-designed monogram with "his & her" initials for your wedding cake (just like William and Kate!), a design you use forever on favorite things at home.

In the spirit of honoring relationship (with yourself, with another, with your heritage), something monogramed is the perfect bit of "self-expressed" beauty to add to your life every day!

Love. Listen. Let go.
...with love from Cornelia

[Photograph: The Art of the Monogram]

June 11, 2014

{Open Your Heart}


Dear Bride-to-Be:
With all the commercial hype, canned traditions, and tantalizing nonsense out there, it’s an extra daunting time for whomever is planning a wedding—whether it’s the bride, her mother or both! So several years ago, I created “Open Your Heart” CDs for these busy, task-oriented women. Not only as a way to support their ease and well-being, but the short, guided relaxations were also designed to help their choices come from the heart. (I’ve been to so many weddings where the character, soul and intimacy have been squeezed out of the wedding day because of the stress to “get it right” instead of relaxing and simply “sharing your love.”) 
 
So I introduced my CDs —a version for brides and another for all women—at one of those big, splashy bridal extravaganzas. During the afternoon event in the hotel’s grand ballroom, my team and I greeted the rush of visitors—hundreds of brides with their wedding entourage in tow. And for those brides, mothers and members of the wedding party who paused at our booth, I shared the benefits of slowing down during their wedding planning time for a few moments of relaxation and ease. (You’ll “feel better” and “look more beautiful”—and with some of the brides I threw in “have better sex” to really get their attention!) Some of the brides-to-be looked rather bewildered when I mentioned “relaxation,” reacting with words like: “I’m just too busy/tense/crazed to slow down and relax!” Hmmmmm.

As many thousands of brides as I had worked with over the years in my former shop by the time I did this event, I figured I’d be met with some resistance to the notion “that being calm and not reactive” equaled  happier relationships. (So the nature of the reactions I received certainly didn’t bode well for peaceful marriages and family life ahead.) Nevertheless, it wasn’t surprising that just as many of the mothers of future brides and grooms spoke up with: “I’m the one who needs this CD!”

I think we can all use support in slowing down, relaxing, and bringing ease to our bodies, mind and spirit no matter the tasks we’ve taken on. As the wise Buddhist monk Thich Nhat Hanh prompts us: “Breathe, smile and go slowly.” (And I say, a more beautiful bride is a more relaxed, in-her-heart bride!)

Find a way to ease your noisy mind...remember, deeeeeeep easy breaths. Create your own ritual of stillness—a meditative womanly ritual for deep relaxation—one that would be a gift of heart-opening ease (a gift to you, to him, to all!) Even if it’s only five minutes of quiet solitude a day: in the early morning before your busy day begins or as an afternoon break; after a bath to continue your relaxation or before bed to support deep rest. Find your quiet hub; find your inner stillness. Open your heart.

Love. Listen. Let go.
...with love from Cornelia

[Photographs: J Nichols Photography]

April 16, 2014

{Being Old-Fashioned, Downton Abbey Style}


Dear Bride-to-Be:
One of my favorite bridal historians, British writer Ann Monsarrat, talked about how old “innocent superstitions...just for fun” became wedding “traditions” in Victorian times. Although most wedding customs have ancient roots back to the days of arranged marriages (like “the superstition that the bride and groom should not meet on their wedding day until they do so at the altar”), it was the sentimental Victorians who made them part of the “rules” of wedding etiquette. And even if a tad old-fashioned, some traditions stayed around while others disappeared in the regimented practicality guiding many weddings today.

It reminds me of the episode of Downton Abbey in season three when Martha Levinson, Cora’s very avant garde American mother played by Shirley Maclaine, arrives for Lady Mary’s wedding. At dinner the night before the ceremony, Violet, the other grandmother (Maggie Smith’s witty character, the proper Dowager Countess) tells Martha that Matthew won’t be dining with them since it’s “bad luck” for the groom to see the bride. Martha teases them about following such old-fashioned notions: “It’s 1920 for heaven’s sake!”

However, old-fashioned or not, keeping some traditions just brings out the sweetness in us! Remember the Downton Abbey scene later that night when Matthew slips into the Abbey to apologize to Mary and—with her slightly opened bedroom door between them—asks for a reconciliation kiss. After a pause, Mary softens and smiles: “Only if you close your eyes…it’s bad luck to see me before the wedding.” (He does, she doesn’t, and they seem even more in love when they meet at the altar the next morning!)

Now I can appreciate the benefits of being practical as much as the next fellow; and I understand that the current practice of taking photographs of all the wedding party before the ceremony is indeed “practical.” But don’t you think it spoils some of the romantic mystery?

Ann Monsarrat told this charming “groom not seeing the bride” story around the 1893 wedding of a future king and queen: 

…when Princess May of Teck and the Duke of York caught sight of each other from opposite ends of one of the long, long corridors of Buckingham Palace on their marriage morning, they took it as a happy sign. They were a constrained couple, always writing to explain how much they loved each other and apologising that they could not actually say so; both were warmed by the brief encounter. The Duke, according to Queen Mary’s official biographer ‘swept her a low and courtly bow. This gesture she never forgot.’

Certain old-fashioned notions may be worth saving—especially if they inspire such courtliness and tender memories. And in our “let it all hang out” modern world, they may prove absolutely essential in keeping some of our “mystery” intact—and a woman’s mystery never goes out of fashion and sometimes romance needs a bit of old-fashioned nudging.

Love. Listen. Let go.
...with love from Cornelia    

ps: I can’t mention Downton Abbey without reminding you that I’m speaking at the glorious Winterthur Museum next month during their Downton Abbey costume exhibition. Come join me...I think you’ll love my topic: “Vintage Inspiration: The Brides of Downton Abbey."

February 10, 2014

{Choices of Your Heart}



Dear Bride-to-Be:
Wearing a wedding gown is so weird,” a bride was quoted in The Bride Revealed, a book by wedding photographer Leslie Barton. It’s not like any other dress. I felt so grown-up and elegant in it. At the same time, it felt like a costume. Even during my wedding, when I saw my reflection, I was startled. Who is that?’ It’s such an important transformation, from the usual jeans and T-shirt to a formal wedding gown. I felt it strengthened the commitment, that what I said on this day would be with me for the rest of my life.”

This bride reveals something that you might soon find out for yourself. That your wedding gown, and all the other rituals you use for your wedding—the music, flowers, exchange of rings, even your vows—are all outward expressions of your inner self. They are a reflection of what you hold in your heart and meant to, as this bride shared, “strengthen your commitment” to all you hold dear.

And you thought your wedding dress was only to make you look like a dream! It’s not only a transformation from jeans to formal gown,” but also a transformation of your heart—deepening your commitment to your best self. Make the things you choose for your wedding, choices of your “big old beautiful open heart!”

Love. Listen. Let go.
....with love from Cornelia

[Photograph: Leslie Barton]

August 5, 2013

{Love & Forgiveness}



Dear Bride-to-Be:
Author Bryant H. McGill said “there is no love without forgiveness, and there is no forgiveness without love.” When you’re in the glow of new love while planning your wedding, maybe forgiving your partner isn't an issue. But in the day-in, day-out of living life together, take notice!

Ruth Bell Graham, wife of the Reverend Billy Graham for more than sixty years, said: “A happy marriage is the union of two good forgivers.” Perhaps by taking that advice, all couples can find their own version of “happily ever after.” Not as some frothy, superficial, romance novel confection, but as a day to day letting go and embracing: letting go of judgment and embracing our imperfections; letting go of criticism and embracing acknowledgement; letting go of hurt feelings and embracing forgiveness.

Sometimes it takes courage—and it always takes opening your heart—to allow your forgiving, flexible, tolerant “big Self” to emerge. I find when I’m being “small,” holding on to some position, and definitely not feeling very “forgiving”—it helps to do this little exercise. I take several deep, easy inhales and long, soft exhales then say: “thank you for giving me this opportunity to let go and let love in.” I say it until I can forgive myself for whatever I made up (about me or someone else!) and can feel my heart open again. I like how Margaret Walker said it: “Love stretches your heart and makes you bigger inside.”
 
Love. Listen. Let go.
...with love from Cornelia
 
[Photographs: Jason Hudson]

July 1, 2013

{The Language of Flowers}


Dear Bride-to-Be:
I thought you'd enjoy this reprint of my article, The Language of Flowers, published in the summer issue of SEASON magazine.
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Bridal folklore throughout history, inspired by goddess mythology, tells of maidens entwining creamy white, aromatic orange blossoms into a bridal wreath for their hair, to ensure fertility; or carrying a bunch of sweet smelling white lilacs, representing innocence; or tucking fragrant herbs into their bouquets, rosemary for remembrance and dill, believed to provoke lust. (Both herbs were also eaten for their supposed powers!)
 
Along came the French, picking up where the ancient Persians left off by assigning meanings to flowers and herbs, and in 1819 published Le Langage des Fleurs. The etiquette-driven Victorians, as passionate as they were sentimental about flowers, followed suit. With so many rules and restrictions about what was proper to say to whom—and outright flirtations certainly prohibited—they adopted the romance-filled language of flowers, creating their own dictionary-like books, lyrically illustrated, to help sort it all out.
 
This romantic language was perfect for weddings. Many brides, including royal ones, get a bit sentimental when it comes to their wedding bouquet. Queen Victoria carried a nosegay of snowdrops, representing friendship (they were her beloved Albert’s favorite flower); and Grace Kelly, after much thought, selected lilies of the valley as her simple wedding bouquet, meaning return of happiness. And of course Kate Middleton included blooms of Sweet William, signifying gallantry.
 
During the golden-age of movies, whatever the royalty-like brides of old Hollywood loved, the rest of America did as well—and they loved orchids! Especially huge, lush cattleya varieties that, if truth be told, were overtly sexual. Although a “language of flowers” book might say the orchid represents beauty and refinement, Susan Orlean, author of The Orchid Thief, called it “the sexiest flower on the planet.” So no matter what some whimsical Victorian floriography says (or what post-war brides and their mothers pretended), an orchid’s real language was passionate, sensual, even erotic.

Yet, ironically, as was the fashion, a large opulent orchid sat on top of a bride’s small, white bible; or was attached innocently to her fur or satin muff; or worn as an oversized wedding corsage. Orchids were also popular in the center of big, boisterous bridal bouquets, like eighteen-year-old Elizabeth Taylor carried for her first wedding in 1950, right before the premiere of Father of the Bride with Spencer Tracey. (She didn’t carry orchids in all of her eight weddings, but Goddess Liz knew her way ‘round passion so she included them often!)                        
 
Needless to say, the language of flowers could be confusing: their “meanings” changed because of fashion or locale or color; or with what other blossom it was combined. No wonder tussie-mussies and nosegays—a style of mixing specific herbs and flowers—became so popular in the Victorian era (and were forerunners of the modern bridal bouquet.) Since these “talking bouquets” said the sweet-nothings for you, gentlemen suitors carefully chose their flower combinations, assuring the appropriate message be delivered to their sweetheart. (Plus one did not want the nosegay intended for tonight’s dinner hostess mixed up with last night’s paramour, etcetera.)
 
However, if your flower choices for a wedding bouquet don’t match up as you’d like with the messages in a Language of Flowers book, then just assign them your own romantic meanings and I’m certain the flower goddesses will bless you! ~
 
 
 
[This is a reprint of my article published in the summer issue of SEASON magazine. See page 74.]