Showing posts with label wedding traditions. Show all posts
Showing posts with label wedding traditions. Show all posts

October 7, 2017

{A White Wedding Gown?}


People are always curious about the “white wedding dress”—it’s history and traditions...and most people have misconceptions about both! Perhaps it's the reason that I hear from lots of readers who enjoyed my book, The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding, and its stories about the legacy of this fabled gown!

That's why the headline in the New York Times' Twitter feed, “A White Wedding Gown? It’s a Tradition That’s Not For Everyone,” caught my attention. And I thought you’d appreciate the accompanying article by Marianne Rohrlich, "The Dress: Honoring Tradition." She explains how a bride's culture or religion may influence her wedding gown. Click on the link and enjoy!





September 27, 2017

{Something Blue & More}


I recently saw in Bride magazine online a new article: “51 Something Blue Accessory Ideas for Your Wedding Day”—lots of sexy blue shoes, neat little clutch-bags, drop earrings that looked more “honeymoon” than “wedding gown,” lacy lingerie, even blue-trimmed sunglasses! Calling the Something Old, Something New bridal ritual “an age-old tradition” (it’s not!), the article, like so many about modern weddings, was full of fashion fluff and low on womanly depth. Fashion ideas for your wedding can be fun, but sometimes it overshadows the real focus—your relationship!

In that spirit, I want to share an excerpt from my first book, The Bride’s Ritual Guide: Look Inside to Find Yourself, that focuses on the Something Old, Something New bridal rhyme, with a modern yet folkloric—and very femininetwist!  In the book, I call the something blue part of the bridal ritual: "Something intimate and magical. A sweet and tender connection to something divine; a reminder of the depth and eloquence of love without conditions." See below for more something history....

..................................................................
Wedding traditions, to borrow a phrase from Carol McD. Wallace in her book All Dressed in White, have “complicated roots.”

Take the rhyme, “Something old, something new, something borrowed, something blue, and a sixpence for your shoe”—the familiar little verse that became a beloved personal ritual for generations of brides. The rhyme itself may not be that old, but the customs it describes have been around for centuries. In cultures worldwide and for as long as we know, there was some sort of superstitious custom for brides to tuck a little token of abundance (pieces of bread, a lump of sugar, coins, a bit of ribbon, a silver charm) into their purse, glove, or shoe or sew the items into the hem of their dress. This was all done in the desire to call forth good luck, great fortune—including lots of healthy children—or some magical promise of love forever!

Shoe historian Cameron Kippen reminds us that “a long standing bridal superstition stated no harm could befall a bride wearing blue.” Through the ages, wide-ranging references to the color blue surround it with compelling and even divine properties. The color is often associated with the Virgin Mary and is cited in Geoffrey Chaucer’s fourteenth century “The Squire’s Tale” from The Canterbury Tales as a symbol of truth and faithfulness.

With such rich folkloric history, it stands to reason that somewhere along the way, some sentimental poet put it all together in a romantic rhyme. A rhyme composed, perchance, as a gift to an adored bride, her name unknown to us now, but like brides before and since, their images became an icon of womanhood.

This is only a bit of the mystery and superstition around the Something Old, Something New rhyme—the most feminine of all wedding rituals. Enjoy more stories with your own copy of The Bride’s Ritual Guide: Look Inside to Find Yourself. ~

October 22, 2016

{Victoria's Choice Redux}

Hello! I thought youd enjoy a reprint of my article, “Victorias Choice”....its been published in Season Magazine and on Huffington Post. (Plus its an excerpt from my latest book The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding.)

VICTORIA'S CHOICE
If you know one thing about wedding gown history, I would wager that it has something to do with Queen Victoria beginning the fashion for brides wearing white. (And now, thanks to her, it has been a tradition of sorts for 175 years.) But I would also wager that most people don’t know the real reason the 20-year-old monarch broke the precedent set by earlier royal brides—“dressed in their usual cloths of silver or gold”—and chose the color white for her wedding gown. Victoria even chose a crown of fanciful, yet wax orange blossoms instead of one of her dazzling diamond diadems!

Her choices have been regarded as representing simplicity, modesty and purity—and indeed the young queen was sentimental with an “uncluttered fashion preference,” according to costume historian Kay Staniland. However, Victoria was deeply in love, and this became her guiding inspiration for her wedding attire. Therefore, with much consideration—taking into account her duty, her position and her subjects—“the queen decided to make her marriage vows to her ‘precious Angel’ as his future wife rather than as the monarch,” wrote V & A museum curator Edwina Ehrman. So Victoria not only opted against wearing the ornate silver and gold of royalty, but also her regal “crimson velvet robe of state” feeling “it would only emphasize her seniority, and overshadow the role of her future husband,” Staniland added.

Victoria’s all-white bridal costume may have been without the usual glittering royal accoutrements, but it “was actually exquisite and of great value,” explained Maria McBride-Mellinger, author of The Wedding Dress. Underscoring “patriotic spending,” the queen commissioned her country’s renowned textile artisans. The rich silk satin for the gown and its 18-foot court train was woven in Spitalfields and the beautiful, lyrically-patterned lace for her veil and gown embellishments was hand made by two hundred women in a Devon village employed for eight months. The only color Victoria wore was near her heart: a large, brilliant blue sapphire brooch which had been Prince Albert’s wedding gift to her.

On the day of the wedding, Victoria’s adoring subjects happily received their queen’s choices, cheering her carriage on its way to the Chapel Royal at St. James’s Palace. Dressed in these creamy shades of white and tufts of orange blossom, I doubt that Victoria had a sense of the remarkably romantic lineage she was about to inaugurate. Nor could she ever know that her queenly exemplar: “Keep your relationship top priority,” would make fine advice for today’s busy wedding-planning brides. 

It seems for this young bride (who just happened to be ruler of an empire), that it came down to choosing the feelings of her future husband over her own ego. Victoria’s heart-centered choice changed bridal history and, in turn, illuminated the supreme sovereignty of a woman in love. ~


[Enjoy your own copy of The End of the Fairy-Tale Bride: For Better or Worse, How Princess Diana Rescued the Great White Wedding....easy to order from Amazon with a speedy delivery!] 

August 14, 2016

{The Promise of Wedding Vows}


My article, “The Promise of Wedding Vows”—highlighting the 35th anniversary of the momentous wedding of Princess Diana—was just published on Huffington PostThis royal event not only changed the culture of weddings worldwide, but also came at the time when the world of women was in a great consciousness shift. 
Plus, the article is an excerpt from my latest book, The End of the Fairy-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding.

Enjoy! Here’s the link.

April 16, 2016

{A Veil of Distinction}



Dear Bride-to-Be: 
I thought youd enjoy my article, “A Veil of Distinction,” just published in the spring issue of Season Magazine. Click here to read it online...and Ive reprinted it below as well.


A Veil of Distinction
Wedding veils hold an especially distinctive yet intimate place in a family’s collective memory. Even more than the wedding gown, the family bridal veil has, historically, been the treasure most often passed down and shared with daughters and granddaughters, nieces and cousins.

That was the case with a certain heirloom veil with a most captivating provenance. First worn by Margaret Merritt as an Edwardian bride when she married James Thomas Lee of New York City in 1903, her cathedral-length, rose point lace veil was also worn by her daughters Marion Lee Ryan, Janet Lee Bouvier and Winifred Lee D’Olier. But this veil developed a particular mystique when her granddaughter Jacqueline Bouvier wore it, along with Margaret’s delicate wreath of wax orange blossoms, for her marriage to Senator John F. Kennedy in 1953.

I became intrigued by this veil’s lineage when I learned it was to go on a first-ever display early this year as part of the wedding costume exhibitions on Biltmore Estate in Asheville, North Carolina. The veil’s connection with the Vanderbilt family is through Jackie Kennedy’s cousin, Mary Lee Ryan—“Mimi” wore it when she married George Vanderbilt’s grandson, William Amherst Cecil, in 1957.

Jackie’s only daughter Caroline Kennedy didn’t wear the Lee family veil, but both Mimi’s daughter and daughter-in-law wore it with their 1980’s Diana-era “princess gowns.” I find this is part of the beauty and pleasure of a bridal veil: as fashions change, it can be adapted to wear in various stylish ways; and even as women and their roles change, because of its strong feminine impulse, the bridal veil always carries a precious tradition.

Lace was immensely fashionable for Victorian and Edwardian ladies and, indeed, de rigueur for brides during these gilded decades. Following the creation of “rose point” lace in Brussels in the mid-19th century—a type of point de gaze needle lace so named because of its lyrical rose design, often with raised petals—this romantic pattern became a favorite of brides. Therefore when well-to-do American women made their grand transatlantic voyages to Europe on the most majestic luxury liner of the day (it was simply the thing to do!), high on their must-do list was to bring back a lace veil from Belgium—all with dreams of a wedding in mind. (Is that how the lovely rose point veil worn by the Lee family brides—and then the Cecils of North Carolina—began its notable pedigree?)

Later when lace was not as popular and travel to Europe was aboard airplanes instead of ships, bringing home a lace wedding veil stayed dear to the hearts of many American women. Perhaps there is one stored away in your family’s “treasure chest”? ~

November 2, 2015

{Thank You Notes}


Dear Bride-to-Be:
"Gratitude is the memory of the heart" a wise French scholar once said. And being grateful expresses the tenderest parts of ourselves. So what about those wedding "Thank You" notes? No excuses like "you're too busy" or "they're old-fashioned"writing thank-you notes for gifts and favors and assistance you've received are as essential to your wedding planning duties as ordering the invitations, selecting the cake, or finding the perfect dress!

The editors of Martha Stewart Weddings devoted an entire section to "How to Write a Thank-You Note" ... and here's what they said about getting started:
In the afterglow of a wedding, it can be a joy to write thank-you notes expressing heartfelt gratitude for the gifts you've received. But no matter how genuine your feelings, keeping the sentiment meaningful from one note to the next takes focus and creativity. Plus, you need to be somewhat organized to get the messages completed in a timely fashion.

Continuing with tips about "getting organized," "keeping track," and "what should the notes look like," the magazine editors also remind you that "feeling gratitude and not expressing it is like wrapping a present and not giving it!" Need I say more?



Love. Listen. Let go.
...with love from Cornelia

[Top quote from Jean Baptiste Massieu, bottom quote from William Arthur Ward; images from Martha Stewart Weddings.]

October 7, 2015

{Mothers, Daughters and Weddings}


Dear Bride-to-Be: 
I thought youd enjoy my article published in the fall issue of Season Magazine. Click here to read it from the online magazine...and Ive reprinted it below. ’Tis an excerpt from my new book The End of the Fairy-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding.


Mothers, Daughters and Weddings

Historically, weddings reflect changes within a culture. And perhaps no relationship is more affected than that of mothers and daughters. It was not long ago (when brides were typically young women not yet out of the “family nest”) that mothers orchestrated the whole affair. But today most brides are independent women who plan their own wedding—only sometimes with their mother’s assistance.

Nevertheless, weddings can still offer the possibility for mothers and daughters to deepen or restore their connection with each other—especially by participating in shared activities that have the quality of ritual. Many years ago this may have been creating the bridal gown together or stitching trousseau linens for the bride’s new home, offering opportunities to chat about life and love and what the future may bring. Today it could be a joint outing to try on dresses. (And if it’s to deepen relationships, I advise leaving judgments at home and taking one’s most diplomatic self along!)

Fashion designer Vera Wang has become an expert on weddings. Not just because she’s designed thousands of bridal gowns—and attended almost as many ceremonies—but also because of her keen observation of relationships. So her take on mothers is worth noting:

Each parent has his or her own distinct part to play. The most complex and challenging relationship, however, is often that of mother and daughter. Differences in style, vision and expectation can begin with the gown and end at the reception, with every issue in between fair game for controversy. A wedding can unleash torrents of emotion, and a bride must balance her own need for control with her mother’s sense of involvement. Sometimes fashion can even become an excuse for unexpressed issues.

The late designer Oscar de la Renta, who had been present for many mother-daughter gatherings in his bridal studio, had “gentlemanly” thoughts about mothers when asked who a bride should bring with her on a shopping excursion:

It would be cruel not to bring your mother along. The wedding is almost as important to the mother as it is to the bride. But brides should prepare their mothers for what they are thinking of wearing. The mother always has a notion of what she wants her daughter to look like, but the daughter is a woman now and she wants to look like one. If I feel like the bride is holding back on choosing something she really wants because she doesn’t want to hurt her mother’s feelings, I ask the mother if I can talk to the bride alone.

I recall those daughter-mother encounters in my former shop; some tender, some extremely tense, some remarkably both. At times it was as though I was watching each woman relive her life in an emotional time-lapse montage. A wedding becomes more of a pleasure and a blessing when we remember it’s a pivotal rite-of-passage for both daughter and mother. 
Try a little tenderness.~










[Mother and daughter photo courtesy of BHLDN]

September 22, 2015

{A Meandering Path}


Dear Bride-to-Be
I always find my customers and audiences curious about the origin of wedding rituals: tossing the garter; exchanging rings; the “something old, something new” rhyme; the bride’s bouquet. These are rituals and traditions so familiar, even comforting, that we’ve accepted them into our modern celebrations—yet a mystery remains.

Their origins are hazy; different societies added different meanings and their practice usually took a meandering path through the centuries, making some hard to trace. Wedding traditions, as author Carol McD. Wallace shares, have “complicated roots.” That’s why I consider wedding rituals come from sacred legends or a kind of fairy tale: folklore from our heritage revealing itself a bit mysteriously.

Whatever rituals and traditions you use in your wedding ceremony—whether in a gilded cathedral or grand synagogue, on some lofty mountaintop or in a serene garden—choose ones that touch your heart, light up your relationship, and move you to deeper expressions of love.

Love. Listen. Let go.
….with love from Cornelia


[Photograph courtesy of Vogue.]



June 16, 2015

{Victoria's Choice}


Dear Bride-to-Be
If you know one thing about “wedding gown history,” I would wager that it has something to do with Queen Victoria starting the fashion for brides to wear white(And now, thanks to Victoria, it has been a tradition for 175 years.) But I would also wager that most people don’t know the real reason the 20-year-old monarch broke the precedent set by earlier royal brides (who usually wore cloths of silver or gold) and chose the color white—she even chose a wax orange blossom crown instead of a dazzling diamond diadem!

Her choice has been regarded as representing simplicity, modesty and purity—and indeed the young queen was sentimental and had an “uncluttered fashion preference,” according to costume historians. However, Victoria was deeply in love, and this became her guiding inspiration for her wedding attire. So with much considerationtaking into account her duty, her position and her subjects—nonetheless, “the queen decided to make her marriage vows to her ‘precious Angel’ as his future wife rather than as the monarch,” wrote curator Edwina Ehrman. Or as author Kay Staniland explained: Victoria decided “her role on her wedding day was primarily that of a bride” and opted against, not only wearing the silver and gold of royalty, but also chose not to wear her queenly crimson velvet robe of state, feeling “it would only emphasize her seniority, and overshadow the role of her future husband.” (And come the day of the wedding, Victoria’s adoring subjects happily received their queens choices!) 

Whatever you choose to wear on your wedding day, keep your relationship your first priority…and let the frills of fashion follow that. (Its the queenly thing to do!) Of course you’re going to look beautiful…because a woman in love becomes her own spotlight.

Love. Listen. Let go.
....with love from Cornelia

[This post inspired by my new book, The End of the Fairy-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding ... available at Amazon. I think you will enjoy it!]

May 29, 2015

{The Princess Myth}


Dear Bride-to-Be
In my new book, The End of the Fairy-Tale Bride, I write about the origin and mysteries of the “princess myth”—the underlying desire of women to feel and look like a princess. From my experiences working with thousands of brides through the years, I share how this desire influences many women when planning their wedding and, in some cases, it’s the core reason some want to be a bride! This “princess” desire—stirred by royal brides to Disney princesses—can work to deepen your feminine strength...your goddess nature; or it can move you to live in a fractured fairy tale of illusion and disappointment.

So a recent article in Vogue Daily about wedding gowns caught my eye: “The Cool Girl’s Guide to Wedding Shopping.” It shares that “while there’s nothing wrong with wanting to go traditional, not every bride dreams of a dress of Disney-princess proportions.” The article features colorful, floral, unfussy designer dresses—not a crinoline or corset or pouf in sight! (Of course what’s considered “traditional” hasn’t always been, well, “traditional”—you’ll find intriguing stories in my book.)

Yes, we’re all affected by what’s “fashionable”—even if we’re rebels or free-spirits! So keep that in mind when shopping for a wedding dress: Is it the latest fashion that’s tugging at your heart or maybe 'tis some once-upon-a-time “princess” yearning? Or perhaps something deeper happens when you try on the dress? Something more akin to: “I feel like a destiny-shaping goddess…inside and out!”

Love. Listen. Let go.
…with love from Cornelia

ps: I think you’ll enjoy the various stories and examples in my new book about how this “princess myth” lives in our modern culture…and perhaps you’ll see yourself in one of them! The End of the Fairy-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding is available at Amazon.com.

[Image above from 1970s Gunne Sax, Jessica McClintock Inc.] 

May 17, 2015

{Felt With the Heart}


Dear Bride-to-Be
I always find my customers and audiences curious about the origin of wedding rituals: tossing the garter; exchanging rings; the “something old, something new” rhyme; the bride’s bouquet. These are rituals and traditions so familiar, even comforting, that we’ve accepted them into our modern celebrations—yet a mystery remains. Their origins are hazy; different societies added different meanings and their practice usually took a meandering path through the centuries, making some hard to trace. Wedding traditions, as author Carol McD. Wallace shares, have “complicated roots.” That’s why I consider all wedding rituals a kind of fairy tale: folklore from our heritage revealing itself a bit mysteriously.

So as a bride, whatever rituals you choose for your wedding, choose from the wise part of your mind and the generous part of your heart … then you will surely create a wedding celebration full of love and beauty! As Helen Keller reminded us: The best and most beautiful things in this world cannot be seen or even heard, but must be felt with the heart.

Love. Listen. Let go.
….with love from Cornelia

[Excerpted from my new book, The End of the Fairy-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding.]





April 20, 2015

{A Downton Abbey Wedding}



Dear Bride-to-Be
Couples choose the site for their wedding for all sorts of reasons: sentiment, religious beliefs, intimacy, prestige, to get away from the world, or perhaps to include the people in their world with elegance and grace.

An article in Town and Country magazine recently shared: “What It’s Like to Get Married at Downton Abbey.” With beautiful photographs and text, it showed the splendor this particular American couple chose to incorporate into their English countryside wedding weekend, including using grand historical sites.

Wherever your heart takes you for a wedding location, whether humble or opulent, chose where you feel an intimate sense of place—inclusive of others, expansive of spirit, and a place that fills your heart with the joy of coming home.

Love. Listen. Let go.
….with love from Cornelia 


[Images courtesy of Town and Country Magazine] 

December 26, 2014

{A Nurturing First Bite}


Dear Bride-to-Be
In my upcoming book, The End of the Fairy-Tale Bride, I write about the familiar yet rather mysterious ingredients of “the great white wedding.” (Queen Victoria launched its first era and her great-great-great-grandson’s shimmering bride, Princess Diana, revived it in the most memorable of ways nearly a hundred and fifty years later.)

If the centerpiece of this white wedding tradition filled with special costumes and music and flowers became the bride’s gown, then the centerpiece of its wedding reception became the “great white cake.” The first morsels eaten by the just-wed bride and groom were, if not considered sacred, at least symbolic of being nurtured for a full, rich life together. Historically this first bite was during the wedding ceremony itself, like in ancient Roman customs when the “cake” was a simple wheat biscuit. Then over centuries the tasting ritual moved to the reception, as author Barbara Tober described, during Elizabethan weddings when the “cake” was a stack of sweet buns.

However you plan your wedding—and whatever “ingredients” you use for a romantic yet meaningful celebration—be sure your “first bite” is ‘nurturingly’ filled with love and tolerance and good humor and lots of sweet somethings!

Love. Listen. Let go.
….love from Cornelia

ps: Photograph courtesy of Martha Stewart Weddings. (Also, I thought youd enjoy MSW collection of best wedding cakes of 2014.)

pps: The End of the Fair-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding due out in January 2015!

December 13, 2014

{A Treat For You!}


Dear Bride-to-Be
Here's a treat for you! My article, "Attending the Bride," has just been published in Season magazine. It's also an excerpt from my upcoming book, The End of the Fairy-Tale Bride. I thought you'd like to see it...click here...and enjoy

Love. Listen. Let go.
...with love from Cornelia

November 14, 2014

{The Joy of White}


Dear Bride-to-Be
Are you wearing white for your wedding?  Volumes have been written about the mystery and allure of the white wedding dress—as well as the symbolic notions of its pure color. Ancient Egyptians, considering the color sacred, draped their brides in gossamer layers of accordion-pleated white linen. The ancient Greeks and Romans, with their ever-present gods and goddesses, assigned symbolic meaning to everything; the color white represented “joy” and was worn for most festive occasions, including weddings.

Through the centuries various colors went in and out of fashion for brides—in fact, I tell many of their stories in my upcoming book. But a number of European princesses from wealthy kingdoms felt it their right to dress as opulently as possible so were costumed in gold and silver fabrics—sometimes encrusted with diamonds and other precious gemstones

So of course in 1840 when the young Queen Victoria wore “plain” white satin and lace instead of the glittering lavishness of her predecessors, she set a new standard—and the rest is bridal history! (In contrast her gown perhaps seemed “simple,” but both the silk satin and lace were lush, exquisitely handmade, and of great value.)

I’d love to venture inside the head of this much-in-love, girl-of-a-queen bride to know if her desire for an all-white wedding was truly from an idea of “purity” and humbleness or just her uncluttered fashion sense. Or perhaps there was some essence of mythological romance that captured the heart of a young woman deeply in love. Indeed, the only color Victoria wore was near her heart: the large blue sapphire brooch her beloved Albert gave her as wedding present.

Love. Listen. Let go.
…with love from Cornelia


ps: I’ll keep you posted about the release of my new book, The End of the Fairy-Tale Bride {Volume One} For Better or Worse, How Princess Diana Rescued the Great White Wedding

April 16, 2014

{Being Old-Fashioned, Downton Abbey Style}


Dear Bride-to-Be:
One of my favorite bridal historians, British writer Ann Monsarrat, talked about how old “innocent superstitions...just for fun” became wedding “traditions” in Victorian times. Although most wedding customs have ancient roots back to the days of arranged marriages (like “the superstition that the bride and groom should not meet on their wedding day until they do so at the altar”), it was the sentimental Victorians who made them part of the “rules” of wedding etiquette. And even if a tad old-fashioned, some traditions stayed around while others disappeared in the regimented practicality guiding many weddings today.

It reminds me of the episode of Downton Abbey in season three when Martha Levinson, Cora’s very avant garde American mother played by Shirley Maclaine, arrives for Lady Mary’s wedding. At dinner the night before the ceremony, Violet, the other grandmother (Maggie Smith’s witty character, the proper Dowager Countess) tells Martha that Matthew won’t be dining with them since it’s “bad luck” for the groom to see the bride. Martha teases them about following such old-fashioned notions: “It’s 1920 for heaven’s sake!”

However, old-fashioned or not, keeping some traditions just brings out the sweetness in us! Remember the Downton Abbey scene later that night when Matthew slips into the Abbey to apologize to Mary and—with her slightly opened bedroom door between them—asks for a reconciliation kiss. After a pause, Mary softens and smiles: “Only if you close your eyes…it’s bad luck to see me before the wedding.” (He does, she doesn’t, and they seem even more in love when they meet at the altar the next morning!)

Now I can appreciate the benefits of being practical as much as the next fellow; and I understand that the current practice of taking photographs of all the wedding party before the ceremony is indeed “practical.” But don’t you think it spoils some of the romantic mystery?

Ann Monsarrat told this charming “groom not seeing the bride” story around the 1893 wedding of a future king and queen: 

…when Princess May of Teck and the Duke of York caught sight of each other from opposite ends of one of the long, long corridors of Buckingham Palace on their marriage morning, they took it as a happy sign. They were a constrained couple, always writing to explain how much they loved each other and apologising that they could not actually say so; both were warmed by the brief encounter. The Duke, according to Queen Mary’s official biographer ‘swept her a low and courtly bow. This gesture she never forgot.’

Certain old-fashioned notions may be worth saving—especially if they inspire such courtliness and tender memories. And in our “let it all hang out” modern world, they may prove absolutely essential in keeping some of our “mystery” intact—and a woman’s mystery never goes out of fashion and sometimes romance needs a bit of old-fashioned nudging.

Love. Listen. Let go.
...with love from Cornelia    

ps: I can’t mention Downton Abbey without reminding you that I’m speaking at the glorious Winterthur Museum next month during their Downton Abbey costume exhibition. Come join me...I think you’ll love my topic: “Vintage Inspiration: The Brides of Downton Abbey."